Portrait of Young Woman

I attend Saturday morning Al Hyter portrait group in Toledo, Ohio. They have two new models, but since it’s a two-hour session I focused on drawing one model. I first created the ¾ view then created the profile. It was cold in the room so my arms and hands felt a little stiff but I still had a good time drawing these two nice pieces.

I feel all my recent drawing is paying off because I felt comfortable drawing these portraits. I was confident creating the cross hatch texture, proportions, sighting, and composition. It’s a good feeling for me. I’m looking forward to next Saturday’s portrait session; I’ll focus on drawing the 2^nd model.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Drawing Foreshortening is Fun

This was the long pose for Wednesday night's open figure drawing session at Geiger Studios. We had a male model and this was my view of the model when the pose was chosen, a lot of foreshortening!

Foreshortening is fun and frustrating at the same time. The fun part is in the accomplishment and in the problem solving of drawing the body going away from you while communicating that to the viewer.

The frustrating part is the challenge: drawing the objects closer to me bigger and the drawing the objects farther from me smaller. I know the feet aren’t that big on the model and I know the head arms and hands aren’t that small but I have to let go of reason, make my proportion measurements, and focus on drawing what I see, not what I know about the human body. So I draw the feet bigger because they are closer to me and I draw the head arms and hands smaller because they are farther away from me and trust it will work out at the end, and it does. Visually, this drawing works, you understand a human figure is lying down. It’s so cool.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

How I Cheat In My Drawings

I had a great drawing session at last Wednesday night's Paul Geiger Studio figure drawing session. We had a new model. Paul started the session with a few short 5-minute poses for the crowd to warm up. Then a long pose was set up on the high platform. I like the visual effect of when the model is positioned high for drawing. The drawing usually has a grand feeling, as if you’re looking up at a building or mountain.

The model's pose was on a chair. I like the model seated for several reasons: first, the pose fits my drawing page; I can draw the scene bigger. If she was standing, then the pose would take up more of my page and I would have to draw her smaller to fit. Another reason is I liked the chair the model was seated on because I can use it as a tool for getting the proportions to the model correct.

This is when I feel like I’m cheating because the chair makes drawing the model so much easier. I use the negative shapes of the chair (the space between the legs of the model and legs of the chair). These shapes help me determine the proportions of the model easily. Sometimes people will say “Wow, that looks difficult; you're a good artist” and I usually respond “It's easy. I’m not drawing the model, I’m drawing the negative space”. If I draw all the negative shapes correct, then the figure starts to appear and I continue by drawing in positive shapes (the model).

These two drawings are of the same pose but from different angles, 30 minutes each. They were fun and rewarding to create. Plus Paul played good tunes starting with classical music, then some Dave Brubeck, and ending with Elvis Costello.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Drawing Still Life with View Finder

Here’s a recent drawing I enjoy looking at. I’m still trying to find interesting ways to draw my nephew’s shoes, and this is a drawing that I think works. It is a busy scene. I like that, and I like how all the simple shapes of the fruit compliment the child’s playful shoe.

Drawing a scene like this can be overwhelming because there is so much I want to fit on the drawing page in a certain way. I wanted to make sure I got the left side of the shoe in, the banana and only part of the fruit bowl. I decided to crop the fruit bowl because if I sketched in the entire bowl, it would have made the shoes and other fruit proportionally small on my page.

So how do I decide how to crop the scene? There are several ways I do this. Lately I’ve been using a viewfinder that is proportional to my drawing page. (See sample picture below). I like this little artist tool; it’s quick and easy. If the scene is overwhelmingly busy and I want to only focus on a certain part of the scene then looking through this tool to determine sections I want to focus on really works. It helps me see the compositions within the page size in mind and helps me see the positive and negative shapes that come to the edge of the pages.

Here’s a picture of how I use it. It’s an easy tool to use. You move it forward and back to see how the composition will look on your page. There are many other ways to do this: sometimes I just visualize the edges then just start drawing and wait for final result. Or I can stretch out my arm, close one eye and visually align my pencil along the top, bottom sides of still life I want to draw, or I’ll us my hands to make a square with my fingers, this sometimes works. Whatever it takes, I just want to pick that composition so I can start drawing.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Music and Figure Drawing

At the last Wednesday night figure drawing session, I was thinking about how we listen to music while we figure draw. Paul Geiger organizes the drawing sessions, directs the models and selects the music. He starts the drawing session with classical music then after the mid break he plays something contemporary with vocals, sometimes edgy, rough, and expressive. Last week was Bob Dylan, and week before that was old blues. Paul has played the Beatles, Simon & Garfunkel, Tom Petty, a lot of amazing albums.

Paul never asks us what we want to hear, he picks the music and we listen, it’s good he picks because I’ve discovered there’s a lot of nice music I never would have thought to listen to while I draw. In the figure drawing sessions I often find myself tapping my feet, humming, and quietly singing along. And if you look around you’ll see other artist doing the same. At the last figure drawing session we listened to Elton John, it was great!

I’ve sketched at figure drawing sessions were there is no music. I think that’s good too, I still produced good drawings. But there’s something about listening to the right music while I draw that I feel inspires and motivates me, it seems to add to the drawing experience. I get a joyous feeling that I can draw forever, and a feeling that at that moment, I am living my life to it’s fullest.

What's your favorite music to listen to while you draw/paint/create art?

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Gathering Art Work for a Portfolio

Lately, I've been working on putting a portfolio of my recent work together. I'm doing this because I'm visiting fine art schools in the east coast. I want to apply to graduate schools to earn an MFA (Masters of Fine Arts).

It's not easy picking twenty of my best pieces for a portfolio. I like my work, I am proud of it, so looking through my drawings and paintings from the last couple years to pick the best work has been tough.

Here are two older pieces that caught my eye: I like the fresh sketch feeling these two drawings have, and I thought they were nice pieces. I think I draw so much that perhaps I get immune to my drawings and get caught up in the production and technical part of it that I don't see the beauty in my work. It's not until I have set it aside, forgotten about it, then later revisit my work that I say "Wow! what a beautiful piece, did I really do that?" I think that's when I truly enjoy my work.

So what schools am I interested in? There are a lot of schools with impressive programs. Two I want to really visit are NYAA (New York Academy of Art) and PAFA (Pennsylvania Academy of Fine Art). Impressive programs, I'm looking forward to touring the schools and talking to the faculty and students soon.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Toy Penguin and Loafers

"Hay! What's this penguin doing inside this shoe?" This is exactly what my 4 year old nephew, JD, said to this drawing. I didn't think much of it when I saw JD looking at this piece. He usually doesn't respond to my drawings, but with this one he got it. All of a sudden, he looked up at me, put his little index finger on my drawing and responded! "Hay! What's this penguin doing inside this shoe?" He made my day, I laughed, I loved his response.

These are JD's loafers, I've been wanting to draw them. They are so cute, and I've been wanting to incorporate some of JD's toys into my drawings. JD has a lot of toys, so I didn't want to think too much about selecting a toy, so I grabbed this penguin. It caught my attention, it's a character from the animated film Madagascar by Dreamworks. So I quickly put this still life together and started drawing.

I liked JD's response because when I begin a drawing I try to make sure it communicates clearly, I don't want to confuse the viewer or have them wonder what it is they are looking at. So seeing a child understanding my drawing on paper was a big compliment.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 11" x 14"

Low Turnout at Figure Drawing Session

This past Wednesday night, I attended the open figure drawing session at Paul Geiger studios and I was surprised to see a low turn out. So strange because usually a good crowd shows up. I really didn't mind, for me it meant more options of drawing the model from different sides of the room. Though it's nice to have a large crowd, there's always that intense feeling of concentration that radiates when a big group is drawing the model. And I really like the camaraderie I feel in a group of artists, everyone with similar interests of improving their drawing skills and drawing because they enjoy it.

Here's a drawing from Wednesday night, this was a 10 minute pose. Paul hired a male model, it was a good drawing session. Paul played classical music and Bob Dylan.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Kitchen Countertop Still Life Drawing

This is one of my favorite still life drawings. I've been wanting to post this one for a while. I like it when I create these types of drawings, they are really busy and fill the page.

Now, I believe there is a very important part to these types of drawings that brings everything together and helps make it successful and that is in drawing the tile pattern.

I discovered the beauty of tiled kitchen countertops when I lived in an old house in El Monte California. That's were I first started drawing kitchen scenes and where, for the first time, I sketched in the tile in my drawing and made an amazing discovery! The tile pattern visually added an amazing feeling to my drawing: it filled the page, it added a better scene of perspective, it placed the still life items on a solid foundation, and most importantly, it added a stronger three dimensional feeling.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Drawing Father n Son Nike Air Jordans

Lately I've been been making still life drawings of shoes. This drawing is of the Classic Nike Air Jordan's, the small ones belong to my 4 year old nephew, (he's learning to play basketball at the local YMCA) and the adult size shoes belong to his father (he's the basketball coach).

I struggled with deciding if I should post this drawing. I was concerned that it was just a drawing of shoes: big deal, kinda boring subject. But two reasons I decided to sketch this type of still life convinced me that I need to share this drawing with others.

One reason was simple: I liked the Nike Air Jordan's Basketball high tops, they are so cool! Beautifully designed: the boldness, the shoe strings, the shapes, and most important for me, I saw a challenge that made me want to prop these three items on a stand and try to create a nice bold three dimensional drawing. And trust me, it was tough.

The second reason was sentimental. When I first saw my 4-year-old nephew's basketball high tops at first glance I thought, 'how cute, they're so small". Then one can't help ponder on how innocent and new he is to this world and how father, mother, grandmother, and uncle protect, love and cherish every moment with him. I sketched father and son shoes to possibly represent that bond and I added the fruit to possibly represent god, nurture, teacher, growth and happiness.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Figure Drawing with the Right Elements

Wow! Where do I begin: good model, good old blues music, good drawings, and good vibes at last nights Geiger Studios open figure drawing session. I think all these elements helped me produce a lot of nice drawings last night. I had a tough time picking a piece to share on this blog, I was in the zone, it's a great feeling.

Another element that helped me draw with lots of confidence and ease last night is practice. I've been drawing a lot lately, 2-3 hours daily, still lifes during the week, and Saturday morning portrait drawings. And before I went to last night's figure drawing session, I sat down to draw a still life for 2 hours, so I had a good warm up before the evening figure drawing session.

I strongly believe practicing my drawing daily will continue to improve my skill. It takes time to train the brain to translate what it sees to a hand drawing created on paper.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Table Top Random Still Life Drawing

Here's a new still life drawing I really enjoyed creating. For me its' a random composition---I didn't put this still life together, it just happened. I purchased some fruit at local market for drawing in a still life. I placed the fruit on the dining room table with the intention to create a still life to draw. Well my mom made lunch and she moved everything on the table to the side and when I came to eat lunch this is what I saw on the table. I liked it, I couldn't have come up with it on my own.

Objects and items I wouldn't normally put together on a still life all of a sudden created a nice composition. After lunch, I sat down to draw this scene. I did take out a few items to simplify it, and I purposely included the large white space on bottom to compliment the busy top section and for the viewer to possibly understand that all these items had been pushed aside.

I like it when I find these random compositions. I learn a lot from them. One lesson is my drawings don't necessarily have to stick to a theme to be successful. Drawing these types of scenes with random objects also creates interesting responses and feelings from people viewing my art.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" X 17"

portrait Drawing Male Teenager

Today we had two new models at the Al Hyter portrait drawing group in Toledo Ohio, Joseph and Jessie, two teenagers with their own unique character. This portrait is of Joseph, he has a great hair style for drawing. I like the way the length of his hair makes a nice shape for drawing. His hair is parted at the face so it frames his eyes, nose, lips and chin. I really enjoyed creating Joseph's portrait. Next Saturday I'll sketch the other model, Jessie.

Good drawing music was played at the portrait drawing session today:

• Fiddler on The Roof
• Simon & Garfunkel
• Ray Davies

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Still Life Drawing With a Slow Tempo

Here's a recent still life drawing I really like! One thing that helps me create these nice still life drawings is setting a pace. For still life drawings, I like to have a slow tempo music, something that can keep me calm. I stay away from Latin salsa and rock music, or even classical music. Lately what I have been listening to is the movie Harry Potter and The Half Blood Prince. I have it recorded on the cable box and as soon as I start to draw a still life, I kick on Harry Potter and The Half Blood Prince.

This movie has a nice pace, all the dialog and the music is very mellow, perfect for drawing. I also like the visual mood of the movie; it's dark, Gothic and has that classic castle look. So I'll turn this movie on and listen to it while I draw, and sometimes I'll take a break and watch a little Harry Potter.

Well, it's still cold outside and I feel like drawing so I think I'll go look for a still life to draw in the kitchen and listen to Harry Potter and The Half Blood Prince.

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Drawing Still Lifes in the Winter Season

I've been drawing a lot of still lifes. I could easily post 2 drawings a day, 7 days a week for this whole month with just still life drawings of fruit and kitchen scenes. One main reason I'm motivated to draw a lot is the weather. I'm in Toledo Ohio and the weather out is bitter cold with snow so not much to do outdoors for me but work inside on drawings during the day when I'm not working on illustrations. I am grateful for the weather, it's making me produce a lot of work and I notice my drawings skills are improving.

Well, just got done shoveling snow, and more snow is expected for this evening so I'm going to sit down and draw a still life.

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