Figure Drawing Session at Gieger Studios

This was an nice drawing session. We started with 5 minute poses, these are the small samples above. I like these quick gesture drawings, they are the substance of my drawing, here's were I warm up, put my mind in the drawing zone. And most important, it's where I let go, meaning I don't get caught up on the details of the drawing. It's 5 minutes so I just draw and let the skills I've developed over the years simply do their work. 

For the final long pose, the model was placed on a high platform with lighting from above. It's the reason why my eye level is lined up with the floor and the shadow is directly under the model.

I like that the model was placed on the chair, it gives the drawing of the figure a good solid foundation. And I like the form of the chair because it adds depth to the drawing.

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Quick Studies of Nude Model

These are short quick studies from the Wednesday night figure drawing sessions. These poses are 5,10 or 15 minutes long and are great for improving drawing skills. They can be difficult and overwhelming because you have to think fast and draw.

For a 5-minute pose, I look for the general shape of the pose. If model is standing I run a line on my page from top to bottom and quickly put in circles for the general shapes I see: so a circle for the head, chest, hips, thighs, calves, and feet. Then circles for hands, arms, and hair, then I begin to connect circles to create shapes of arms, legs, body, and head, then add tone to understand how light is adding depth to the shapes, then keep drawing simple darker lines to help define the model's pose. And before I know it, my 5 minutes are up and I’m sitting there wishing I had more time. So I turn the page and start on the next 5-minute pose with the same process.

Quick studies have helped me become a better draftsman. The technique I use to quickly draw the model is also applied to my other drawings. Whenever I’m out drawing landscapes, still lifes, portraits, or anything else, as soon as I sit down with my drawing pad and pick my composition, I begin looking for the general shapes and draw them in by using circles. Once I have the general composition and proportions down, I set a pace of adding detail, and tone.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Music and Figure Drawing

At the last Wednesday night figure drawing session, I was thinking about how we listen to music while we figure draw. Paul Geiger organizes the drawing sessions, directs the models and selects the music. He starts the drawing session with classical music then after the mid break he plays something contemporary with vocals, sometimes edgy, rough, and expressive. Last week was Bob Dylan, and week before that was old blues. Paul has played the Beatles, Simon & Garfunkel, Tom Petty, a lot of amazing albums.

Paul never asks us what we want to hear, he picks the music and we listen, it’s good he picks because I’ve discovered there’s a lot of nice music I never would have thought to listen to while I draw. In the figure drawing sessions I often find myself tapping my feet, humming, and quietly singing along. And if you look around you’ll see other artist doing the same. At the last figure drawing session we listened to Elton John, it was great!

I’ve sketched at figure drawing sessions were there is no music. I think that’s good too, I still produced good drawings. But there’s something about listening to the right music while I draw that I feel inspires and motivates me, it seems to add to the drawing experience. I get a joyous feeling that I can draw forever, and a feeling that at that moment, I am living my life to it’s fullest.

What's your favorite music to listen to while you draw/paint/create art?

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"

Gathering Art Work for a Portfolio

Lately, I've been working on putting a portfolio of my recent work together. I'm doing this because I'm visiting fine art schools in the east coast. I want to apply to graduate schools to earn an MFA (Masters of Fine Arts).

It's not easy picking twenty of my best pieces for a portfolio. I like my work, I am proud of it, so looking through my drawings and paintings from the last couple years to pick the best work has been tough.

Here are two older pieces that caught my eye: I like the fresh sketch feeling these two drawings have, and I thought they were nice pieces. I think I draw so much that perhaps I get immune to my drawings and get caught up in the production and technical part of it that I don't see the beauty in my work. It's not until I have set it aside, forgotten about it, then later revisit my work that I say "Wow! what a beautiful piece, did I really do that?" I think that's when I truly enjoy my work.

So what schools am I interested in? There are a lot of schools with impressive programs. Two I want to really visit are NYAA (New York Academy of Art) and PAFA (Pennsylvania Academy of Fine Art). Impressive programs, I'm looking forward to touring the schools and talking to the faculty and students soon.

CLICK IMAGE TO ENLARGE, GRAPHITE ON PAPER 14" x 17"