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Showing posts with label bananas. Show all posts
Showing posts with label bananas. Show all posts

Tuesday, February 26, 2013

Wabi Sabi Still Life Drawing


Wow! Where do I begin? So much I want to share on this post. Here's a recent still life drawing. This one is different. Lately, I've been setting up still lifes, but for this one, I simply sat by the edge of the kitchen table and began to draw. I wanted that random, wabi sabi feeling of fruit, cups, stuff placed on the table as a composition.

This one was a little more challenging because of all the shapes, especially the tea cups and the antique fan, and because I sketched it on bigger paper, 14" x 17".  I'm working my way towards creating bigger pieces. The next size I want to draw on is 18" x 24". Bigger paper for me means more time, more sharp pencils and more concentration/patience.

Lately the idea of attending art school for an MFA has inspired me. I've had a flood of ideas, and they are all big in size and in concept. So I'm starting now.  I'm going to work on bigger and bigger pieces to prepare myself mentally and physically for what's to come when I'm working on my MFA.

I'll share more on the next post. Till then, enjoy!
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Tuesday, February 19, 2013

Fresh Fruit Still Life Drawing on Paper


How I love to draw fruit! If you want get better at drawing I believe drawing fruit offers the fundamental shapes for building good sketching skills. Especially if you're drawing bananas, they are the most difficult to draw. They look so simple but tough to draw when trying to capture their likeness.
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Tuesday, February 5, 2013

New Years Still Life Sketch


Here are two sketches I created at the beginning of the year. I wanted to start with a drawing pencil in my hand. In 2013 I do want to draw and paint more. I get so busy and the days just fly by that everything else just seems to get in the way of what I really enjoy doing most. But no excuse, I have to set my priorities and at least draw and paint a little bit everyday.

I recently applied to grad school for an MFA. I applied to the New York Academy of Art and The Pennsylvania Academy of Fine Art. I submitted my application with portfolio, so now for the wait, hopefully an acceptance letter. I'm a little nervous, fingers crossed, and Insha'Allah.

I don't think I'll ever lose interest in drawing still lifes, the possibilities and drawing challenges are endless especially when drawing bananas! I believe drawing fruits and vegetables are the next best thing to drawing the human figure from life.
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Wednesday, April 21, 2010

Bananas & Tomatoes in Puerto Rico

Here's my first drawing I created since I arrived last week in Quebradillas, Puerto Rico. I've been wanting to draw but I've been so busy settling in, cleaning my studio and working on projects.

In the evenings, I visit family and I always bring my pad to draw but by then I'm tired and motivation is low. Last night was different, though. I arrived at my aunt's house and I thought, no excuses, sit down and draw and I did. It's always tough to get started, especially after a long day, high humidity and mosquitoes! It's so much easier simply lounging on the front-porch hammock. But once I started a quick gesture sketch to block in the shapes, I got hooked and was determined to finish.

It felt good to finish a piece, it always reminds me how much I enjoy drawing. Plus my family members would walk by and watch me, they thought it was cool. One cousin was cleaning table and moved two tomatoes while I was drawing, I looked up and they were gone! I was shocked and I expressed myself, he apologized and put them back.

I actually worked up a sweat on this sketch, it's different drawing in high humidity, my paper felt different, it doesn't feel crisp like in dry climate and my graphite pencils really felt soft so i would lose my sharp tip fast, and if I pressed too hard my paper would burnish. I approached this drawing like a figure and portrait drawing: with a quick gesture sketch to block-in shapes and to fill the page, then slowly began building tone, added depth with overlapping thick and thin lines, and always kept in mind negative shapes, composition, and design.