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Showing posts with label graphite on Strathmore Drawing paper 70lbs 300 series. Show all posts
Showing posts with label graphite on Strathmore Drawing paper 70lbs 300 series. Show all posts

Monday, February 11, 2013

Young Asian Woman Portrait Study


Last Saturday morning I attended Al Hyter's Portrait session. They have a new model for the next 3 weeks. Drawing this model will have its challenges: she is young and her face is smooth so how do I draw her portrait? Here's where less is more. I have to force myself to keep the details and tone light and simple. This is tough for me because I enjoy drawing and can overwork the drawing.

When I first started this portrait I was just going to sketch the head and neck but then decided to include the hands, arms and shoulders. You can see were I changed my mind, there's a large light quick sketch of the head on the right side. I did this because I liked the simple gesture of the hands and the fold from her blouse, plus it was more challenging.

I brought a friend with me to this session. She was a little nervous and claimed to be "a beginner". We are all beginners, I've been drawing for many years and I still have that quest/desire for becoming a better skilled draftsman. It was humbling watching my friend draw, her struggles of drawing from life were no different than mine. I gave her some tips for her drawing but the best advice was to simply draw, draw a lot, and enjoy the process.
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Tuesday, February 5, 2013

New Years Still Life Sketch


Here are two sketches I created at the beginning of the year. I wanted to start with a drawing pencil in my hand. In 2013 I do want to draw and paint more. I get so busy and the days just fly by that everything else just seems to get in the way of what I really enjoy doing most. But no excuse, I have to set my priorities and at least draw and paint a little bit everyday.

I recently applied to grad school for an MFA. I applied to the New York Academy of Art and The Pennsylvania Academy of Fine Art. I submitted my application with portfolio, so now for the wait, hopefully an acceptance letter. I'm a little nervous, fingers crossed, and Insha'Allah.

I don't think I'll ever lose interest in drawing still lifes, the possibilities and drawing challenges are endless especially when drawing bananas! I believe drawing fruits and vegetables are the next best thing to drawing the human figure from life.
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Monday, January 14, 2013

Figure Drawing Session at Gieger Studios


This was an nice drawing session. We started with 5 minute poses, these are the small samples above. I like these quick gesture drawings, they are the substance of my drawing, here's were I warm up, put my mind in the drawing zone. And most important, it's where I let go, meaning I don't get caught up on the details of the drawing. It's 5 minutes so I just draw and let the skills I've developed over the years simply do their work. 

For the final long pose, the model was placed on a high platform with lighting from above. It's the reason why my eye level is lined up with the floor and the shadow is directly under the model.

I like that the model was placed on the chair, it gives the drawing of the figure a good solid foundation. And I like the form of the chair because it adds depth to the drawing.

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Sunday, May 6, 2012

Drawing a Portrait With Eye Glasses


Here are two portrait studies from a recent Al Hyter Portrait drawing session. They had an excellent model, she did an excellent job holding her pose and she wore her eye glasses. I love it when portrait models wear a hat, ball caps, jewelry, a pencil on the ear, or eye glasses.  It adds so much more depth to the piece and it often makes it a bigger drawing challenge, that's what i enjoy the most. The best part for me is not the finished piece, it's the drawing process. I finish a drawing in about 20 minutes, then I'm looking forward to starting a new one from a different angle.

Wednesday, March 7, 2012

Portrait Sketch, Elderly Man & White Beard


This past Saturday, I attended the Al Hyter Portrait art session in Toledo, Ohio. They have a new model for the next four Saturdays. This model has a white beard, which is great for portrait drawing. The beard adds more shapes and depth to the face. I have to be careful not to get caught up in drawing the hair from the beard, instead focus on the shape of the beard, as if the model had smashed potatoes on the chin.

When I draw portraits I'm constantly looking and drawing the shapes on the face: The shapes of the eyes, the nose, lips, head, ears, collar, forehead, hair. Believe it or not, I just draw shapes and when I'm done the viewer sees a portrait.

I had fun drawing this model, looking forward to sketching him again on next Saturday's portrait session.

Monday, February 27, 2012

Portrait Study: Young Man & Hat


I haven't been drawing in a long time. I had a dry spell.  I get that sometimes, good or bad I don't know. When I look back at my drawings I say to myself, "Wow! Those are nice sketches! Did I do that?" It's a weird feeling.  Perhaps its good to step away from my art for a while, it's a humbling feeling when I return. 

I haven't gone portrait drawing in a long time, finally had a Saturday morning off from my part time job. It felt good to visit the Al Hyter portrait drawing group in Toledo, Ohio. I was a little rusty with my technique at first, but after a couple of drawings, I warmed up and I felt comfortable with my medium and was having fun sketching.